Ali Pacha (阿里帕夏)
2011. g. nov. · Hyweb Technology Co. Ltd.
E-grāmata
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Par šo e-grāmatu
The beginning of the nineteenth century was a time of audacious enterprises and strange vicissitudes of fortune. Whilst Western Europe in turn submitted and struggled against a sub-lieutenant who made himself an emperor, who at his pleasure made kings and destroyed kingdoms, the ancient eastern part of the Continent; like mummies which preserve but the semblance of life, was gradually tumbling to pieces, and getting parcelled out amongst bold adventurers who skirmished over its ruins
Par autoru
After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.
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