併用版畫—轉印篇: 藝術與人文系列06

· 藝術與人文系列 Book 6 · 國立臺北藝術大學
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71
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以亞洲為例,華人世界目前在併用版畫的表現性專門論著尚未多見,個人期待以多年實務教學及平面立體創作經驗以此藍本,為併用版畫創作之前置基礎。將朝向更專業、精闢的風格發展,預期能擴大此書對版畫藝術的影響力,除了照顧學子,也能為台灣美術界版畫叢書中多一本新的學習途徑。討論當代版畫的趨勢與現代社會的互動性。另外,從過往的歷史,我們看到中國的水印木刻,日本的浮世繪到德國表現主義木刻及70年代美國的普普主義絹印風潮,都顯示版畫與時代的脈動是無法切割的。

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