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本書作者用現代物理學中「載波」運行原理，來比喻藏像與肉體器官關係；認為從「形與神俱」 到「形神合一」再到「提挈天地，把握陰陽」是不同層次「人」的狀態境界；作者對於古人沒能夠清楚地說明肺氣為什麼晝起順，夜臥壅？為什麼晝起則其病減輕，夜臥則其病嚴重的原因，認為運用現代物理學之流體力學對肺之痰濕與人的體位進行分析就不難解釋。全書諸多觀點富有新意。
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